Once a year, an aristocratic Austrian family holds a traditional feast at which masters and servants trade places. A troupe of actors (including cult cabaret artist Ingrid Caven) are hired to entertain the guests, performing fragments from the “cultural scrap heap”: GONE WITH THE WIND, Madame Bovary, Tennessee Williams, Swan Lake. The decadent proceedings take on a dangerous edge when the actors incite the servants to revolt against their masters-but is the Revolution also part of the act?
rarefilmm | The Cave of Forgotten Films Posts
A young poet gets the brilliant idea to live in a department store, hiding by day, and courting his muse by night where it’s quiet, and he can have all his needs met. But, to his surprise, he learns his brilliant idea’s not exactly original; there are other residents who dodge the night watchmen, and who keep their existence secret at all costs. One of them is a young woman who wants to leave, but is too frightened to go. And Charles finds that he wants to show her the larger world outside.
Broadcast on A&E on January 12, 1995, this special is a recording of the presentation of the Algur H. Meadows Award for Excellence in the Arts presented by Southern Methodist University in 1994. The performance, by students at the school and guest artists Bernadette Peters, Chip Zien and Debra Monk, is intercut with interviews with Sondheim, Hal Prince, James Lapine and videotaped testimonials from Angela Lansbury and Jason Alexander. The less said about the student performances, the better, but the professional Sondheim veterans more than deliver, and the whole evening is worth seeing Sondheim himself at the piano accompanying Peters on “Send in the Clowns.”
A packed house at the 92nd Street Y in Manhattan welcomed the 69-year old Stephen Sondheim on March 19, 2000 for a conversation with composer Ned Rorem in the “Ned Rorem Hosts” series.
A man and a woman sit in a room and when the wind blows the window open, the man imagines what would happen if he kills the woman and the following drama blurs the boundaries between reality and fiction.
This animated film paints a vivid portrait of two strangers intimately linked by the shared ceilings, floors and plumbing of their apartments. When an unexpected problem arises, these comfortable connections are compromised. Wendy Tilby uses a painstaking animation process involving painting on glass and stop-action filming.
Smith, the deaf and dumb son of a rural black preacher, refuses to accept the menial labour on offer in the small farming community where he’s grown up. He tries to earn a living in the city, but this ends in assault, and his return home sparks off a cycle of vengeful violence. What Roodt’s film lacks in subtlety, it makes up for in dirty authenticity. A hard-hitting independent venture (the director went on to make Sarafina!), completed and released against the odds in apartheid South Africa.
Goto is an island which, through a series of natural disasters, was cut off from the rest of the world in the late 1800s. Its inhabitants toil in stone quarries and relax in the state-run brothels. There in no art, no science, no prosperity, but everyone is happy to swear allegiance to their sadistic ruler, Goto III. At a public execution, Goto’s wife, Glossia saves the life of a condemned man, Grozo, whom Goto pardons and adopts as his personal fly killer. From the day that Grozo takes up his new office, the island of Goto will never be the same again…