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A slowly disintegrating painting, a bird on the painting that later flies away. An ethereal female figure that pops up from time to time, then as a counterpoint a disgusting insect, an undulating multitude of pebbles and a plethora of letters fill the picture. In other words, the combined spectacle of visual motifs and sound effects creates a unique and memorable vision of the passing of time and the continuous change of time.
Category: Short
A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life. They try to catch it, and finally do manage to grasp it for a short moment, but it slips away and then disappears.
An ordinary middle class suburban couple sees a celebrity parrot on TV who supposedly foretells the future. The parrot predicts the world is coming to an end. The couple are initially shocked, and then decide to make the most of the time they have left.
In this short by the British animators Derek Lamb and Jeff Hale, a music hall performer detaches his arms, legs, ears and eventually his head for the amusement of the audience. There’s a wry humour to his performance, but also a striking sense of detail in his movements and gestures- Lamb and Hale were both veterans of the animation world by the time they collaborated on the short. Their style will likely be familiar to anyone who watched Sesame Street during the 80s or 90s- cartoons by both Lamb and Hale were in regular rotation on the show.
A corrosive comment on romantic love by the brilliant Japanese animator Yôji Kuri; a bedraggled male is chased endlessly in alienated landscapes by a voracious female continually repeating the word ‘Ai’ (‘love’, in Japanese). Her attempts at domesticating him with a chain fail, but the chase continues, forever.
A black-and-white short without any words that shows how seven different people spend a Sunday. Karpo Godina’s first professional short and his last black-and-white film.
Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim’s film transforms before our eyes into a playful meditation on wrangling the natural elements into art.