An interpretation of The Confessions of Saint Augustine, featuring an ordinary middle-aged man who undergoes a conversion experience while watching an experimental film. The film is by Al Rutcurts (think about it) and Earl is so bored that his mind starts to wander.
Category: Short
A little manikin (made of a few twists of stubby wire) juggles balls around him, always preferring the biggest and brightest and overlooking a plain white one, the oddball. It is only when the other balls turn fickle and elude his grasp that he discovers the worth of the little white ball.
Using rear-screen process plates from classic Warner Bros. film noirs, a young man (in color) searches for his past through black-and-white scenes from classic Hollywood movies like “The Big Sleep,” “Mildred Pierce,” and “Strangers on a Train”. Filmmaker Mark Rappaport evocatively plays with the themes of noir while contemporizing the stakes involved by utilizing extensive rear projection to remarkable effect (actors — in color — against black-and-white backgrounds photographed in high definition).
Samoa consists of two major islands. Western Samoa is inhabited by a very proud race of people who don’t particularly like Westerners so tourism is not really encouraged. Catherine and John try to understand Fa Samoa, the source of intense pride in their culture. They visit Robert Louis Stevenson’s house. They witness the Samoan art of tattooing, covering most of body. Charlie is of chiefly caste. He introduces us to Samoan culture and finds the most beautiful seascapes – the sort of sights that shape our image of the South Pacific.
Depicts the quality of life in a small American town in Iowa, which is representative of thousands of such towns across the United States. Illustrates an old farm couple’s memories of play, work, family life, courtship, and marriage.
A compelling examination of the lives of three artists forced to work in secret while living in Nazi death camps during WWII: Jan Komski, Dinah Gottliebova, and Felix Nussbaum, who more than fifty years ago witnessed and painted the horrors of the Holocaust.
Sticky My Fingers, Fleet My Feet is a film about a man accepting his old age. The film is playful, as its characters have an exaggerated infatuation with their games of touch football, the main character even keeping a book of stats for himself. John D. Hancock utilizes sound in order to help with the over dramatization, as the suspense builds before kick-off, where comically a young girl picks up the ball before they can begin. The sound again emphasizes the child in these older men, when the main character returns home to a bath. He imagines now he is playing tennis with a brush, leaving the viewer, in the bit of parallelism, to see he can’t be humbled by his age for long.