As a renowned author, Mahmoud feels pressure to compose his next great novel, but he is suffering from writer’s block. He harkens back to a happier time when he was a shy, awkward 11-year-old on his family’s lush estate in Tehran. He recalls his 14-year-old cousin, a tomboy who is nonetheless a ravishing beauty. She revels in the power that she has over him. That adolescent girl of long ago—or the memory of her—becomes the muse that inspires him.
Category: Drama
This highly symbolic Iranian drama (shot in black-and-white) revolves around the most important figure in a remote rural village. That figure is the village’s sole cow, owned by Mashdi Hassan. The beginning of the film makes clear just how vital the cow is to the life of the village and how much Mashdi and his neighbors cherish it. When the cow is threatened and then killed by members of a nearby clan, Mashdi becomes so distraught that he is gradually transformed into a cow himself. One highlight of this film is the glimpse it offers into a style of rural life which has gone unchanged for thousands of years.
Leila is a kind-hearted and loving woman whose marriage to Reza starts off happily. But when she learns that she is infertile, her life changes rapidly. Devastated by the news, Leila finds herself under growing pressure from Reza’s mother to let him take a second wife to bear his children, and what follows is a profound psychological study of a woman swept away on a complex emotional journey. Led by two wonderful performances by Leila Hatami (Leila) and Jamileh Sheikhi as Reza’s manipulative mother, this is a powerful and thought-provoking drama that doesn’t disappoint.
Dariush Mehrjui’s Hamoun is a psychological comedy/drama about a bumbling Iranian intellectual, Hamid Hamoun. Trying and failing to complete a philosophical tract on love, Hamoun cannot seem to convince his wife Mashid, who is a successful artist, to love him either. Hamoun’s refusal to accept reality, or grant Mashid a divorce, is both character study and metaphor for a condition of modern urban life in Iran.
It is the simple story of a group of woodcutters in the Grossetano area with their problems, individual stories, small and big intimate dramas. It is a film with a Rossellini-style realist slant where, without falling into scenicism, the importance of the landscape is combined with the psychological subtlety of the characters and the lucid and critical description of their behaviour.
A fictional account of Orson Welles’ real passage to Brazil where he was supposed to film a cultural film called “It’s All True”, to present a positive image of Brazilian people and the country’s grandiosity’s to the U.S. government, a project that was part of FDR’s Good Neighbor policy. But Welles got enchanted with everything around him and got distracted from the project, that never got fully made. This movie speculates what really happened to Welles that prevented him from fulfilling his work.
While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality of memory while creating a heartfelt portrait of a boy’s life in a rural 1940s Southern town.
When the small town of Minyaka suffers from a drought, a kind and mysterious stranger offers to make it rain by playing his flute; under the condition that he be paid. But after Fluteman makes it rain, and even stops it; the town council, blind by their greed and pride, refuse to pay him. Fluteman stands before the town and warns them of a curse he would bring; and so the next day the school playground fades into silence as all the children disappear into the bush… except one.