A pseudo-documentary in style with an emphasis on the daily work and routine of women police officers built around three different story lines.
Category: Drama
Jean, a psychopath, casually witnesses a young woman’s suicide. In his sick mind, he begins to be convinced he murdered her and starts sending letters to newspapers with details of his “murder”, which eventually lead to the police actually searching for him. As he is about to be caught, he meets a young woman Florinda (Bolkan) and the idea of a real crime begins to shatter his disturbed mind.
Moon Chae-Ku and his friend Kim Chul try to bring the body of Moon’s father back to his native Kwisong Island for burial. Their ferry is intercepted by resentful islanders who will not let the boat dock, because of the father’s political activities in the 1950’s, informing on Communist sympathizers. Kim Chul, through flashbacks, recalls people and events from his island childhood.
After killing an unknown man for an unknown reason, a mysterious drifter turns himself to the law, under a false name intending to protect his own family’s honor. But when the news of his conviction breaks, the drifter’s sister and mother seeks the possibility that the man is her long lost brother.
Guan Jian wants to report the murder of his father who died 10 years ago. The alleged murderer whom Guan Jian accuses of the crime is his own mother.
It’s the last summer of the Second World War in Yugoslavia, but so far nothing much of this has touched Andrea. He’s the lifeguard who has never had to save a life and as such is a well-liked figure of fun. Yet, as far as he is concerned, the river is good to him, giving, and not taking. However, the evils of war are not far away. Andrea agrees to take care of two refugees, the widow of a partisan and her son. Andrea and his friend Martin are uneasy… The water devil, who lives near Martin’s house in the faery waters, is becoming restive, and this means trouble. Andrea, however, is delighted when he saves his first drowning man. But just whose life has he saved?
A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her husband died penniless following an industrial accident. The prosecutor is Hiroko’s sister’s husband Kono, who also sent Hiroko’s fiance, Yamaoka, to jail for his liberal views during the war. Yamaoka has just been freed, but is seriously ill from his time in prison.
Young Simone is involved in a near fatal car crash, and as she questions her mortality, she also decides to have a baby. Her candidate for a father is her best friend Phillipe who happens to be seeing someone. He agrees, as long as they conceive in Salt Lake City, in the desert. The trip teaches many lessons about love, solitude, and self-discovery.