Father James Harold Flye is best known as the life-long friend and mentor of writer James Agee. In this touching portrait of James Flye, the man to whom the Letters of James Agee to Father Flye were written, Academy Award-nominated documentary filmmaker Ross Spears gives us a record of several visits with Father Flye spanning a ten-year period and culminating with the occasion of Father Flye’s 100th birthday.
Category: Documentary
The life and work of writer James Agee provides the substance of this engrossing documentary by Ross Spears. Spears put together a portrait of Agee with excerpts from his prose and interviews with the people who either worked with him or provided material for his books. Among those interviewed are President Jimmy Carter, critic Dwight Macdonald, historian and writer Robert Fitzgerald, and John Huston, who worked with Agee on The African Queen. Agee’s three former wives, his priest (Father James Frye), and other personal friends round out the picture of this hard-drinking, chain-smoking, intense writer who died as a result of a heart attack at the age of 45.
Mel Tormé hosts this retrospective of the most prolific period of Frank Sinatra’s career from the beginning to mid-60s. Told through interviews with colleagues and entertainment experts along with clips from live performances, film and TV.
While working on a documentary, Michel Negroponte encounters a homeless woman in Central Park who claims to be Robert Ryan’s daughter. What more, the woman, Maggie, says she’s the god Jupiter’s wife and periodically receives radio transmissions from him. Intrigued, Negroponte abandons his old project and starts interviewing Maggie. The result, after two years, is a film that attempts to separate fact from fiction and reconstruct the fascinating real life of this endearingly eccentric woman.
Over an eight-year period in the 1970s, Leo Hurwitz made this film tribute to his deceased wife and colleague, the film editor and director Peggy Lawson. His most personal work and his last major production, Hurwitz’s film is at once epic and lyrical; a portrait of an individual and chronicle of the times; an ode to the spirit of artistic collaboration and a testament to political idealism. The film contains beautiful original material plus documentary footage and reconstructions — excerpts from a number of Hurwitz’s films; the voices of Paul Robeson, Kaiulani Lee and Alfred Drake; and music that ranges from Bach to Marc Blitzstein.
Gizmo! is an irresistible collection of newsreel footage chronicling the inventive spirit in America. We are treated to some of the strangest inventions ever concocted by man, as well as a few forgotten contraptions that seem to make a great deal of sense. Naturally, filmmaker Howard Smith does not let slip the opportunity of showing the inventors at their most foolish, so once again those ubiquitous shots of collapsing one-man airplanes and malfunctioning jet-powered backpacks are trotted out. Gizmo! is a wonderful way to spend 77 minutes, as well as an ideal fund-raiser for your local PBS “pledge week”.
Norman Foster is widely considered to be one of the world’s greatest living architects. While other international practices have succumbed to commercial pressures, Foster has retained a reputation for innovation and originality. He is also highly respected for his flair when adapting or converting older buildings to present-day needs. His designs are always rooted in his concern for minimal environmental damage and maximum technological efficiency.This film follows Foster at work in his office and on the site of some of his major new projects, including the Law Faculty at Cambridge University and the telecommunications tower in Santiago de Compostela.
A look at the 40-year career of acclaimed feminist artist Nancy Spero, who, in her own works, is concerned with “rewriting the imaging of women through historical time.” With Spero’s own voice as narration, this documentary tracks her development as she matured against the grain of Abstract Expressionism, Minimalism, and Pop Art when “there wasn’t room in the art world to make way for political or activist art.”