Thieves hijack an aircraft loaded with diamonds, and then must face deadly Amazonian headhunters when the plane crashes in the jungles of Caxambu, Brazil.
Tag: USA
A weary young woman, Iris Brevard, is forced to move in with her overbearing mother, Min, following her husband’s suicide. She finds her only escape from her mother’s badgering is to verbally fight back and to hide herself in an alcoholic haze. Unfortunately, her young teen son, Lonnie, observes all of this and finds himself torn between the two women.
Using rear-screen process plates from classic Warner Bros. film noirs, a young man (in color) searches for his past through black-and-white scenes from classic Hollywood movies like “The Big Sleep,” “Mildred Pierce,” and “Strangers on a Train”. Filmmaker Mark Rappaport evocatively plays with the themes of noir while contemporizing the stakes involved by utilizing extensive rear projection to remarkable effect (actors — in color — against black-and-white backgrounds photographed in high definition).
Samoa consists of two major islands. Western Samoa is inhabited by a very proud race of people who don’t particularly like Westerners so tourism is not really encouraged. Catherine and John try to understand Fa Samoa, the source of intense pride in their culture. They visit Robert Louis Stevenson’s house. They witness the Samoan art of tattooing, covering most of body. Charlie is of chiefly caste. He introduces us to Samoan culture and finds the most beautiful seascapes – the sort of sights that shape our image of the South Pacific.
Depicts the quality of life in a small American town in Iowa, which is representative of thousands of such towns across the United States. Illustrates an old farm couple’s memories of play, work, family life, courtship, and marriage.
A compelling examination of the lives of three artists forced to work in secret while living in Nazi death camps during WWII: Jan Komski, Dinah Gottliebova, and Felix Nussbaum, who more than fifty years ago witnessed and painted the horrors of the Holocaust.
Sticky My Fingers, Fleet My Feet is a film about a man accepting his old age. The film is playful, as its characters have an exaggerated infatuation with their games of touch football, the main character even keeping a book of stats for himself. John D. Hancock utilizes sound in order to help with the over dramatization, as the suspense builds before kick-off, where comically a young girl picks up the ball before they can begin. The sound again emphasizes the child in these older men, when the main character returns home to a bath. He imagines now he is playing tennis with a brush, leaving the viewer, in the bit of parallelism, to see he can’t be humbled by his age for long.
The made-for-TV When She Says No takes a prismatic, Rashomon approach to its story of sexual assault. Kathleen Quinlan plays an anthropology professor who, during a roisterous campus party, has sex with three of her colleagues. She takes the matter to court, insisting that she’s been raped. The three men insist that Quinlan led them on–even when saying “no.” Both testimonies are presented in flashbacks which substantiate the words of whomever happens to be testifying. When She Says No refuses to cop out with easy answers: the “lady or the tiger” denouement allows the viewer to draw his or her own conclusion.