A drifter returns to a small town to avenge the murder of his wife and daughter.
Tag: ITALY
In a small Italian village, Primo runs a cheese factory, but one morning he witnesses his son kidnapped by terrorists. As the film progresses, he has two problems: paying the ransom the terrorists demand and trying to save his factory which might face bankruptcy. What’s a businessman like him to do?
Athos Magnani, a young researcher, returns to Tara, where his father was killed before his birth, at the request of Draifa. The father, also named Athos Magnani and looking exactly like the son, was killed by a fascist in 1936 — or so says Draifa (his mistress), the town statue, and everyone in town. As the son untangles the web of lies this story is constructed from, he finds himself ensnared in the same web.
Roman Emperor Octavian rules the empire from Rome, and his rival Marc Antony has taken Egyptian queen Cleopatra as his lover and seized the eastern empire, ruling it from Alexandria. Octavian intends to regain his empire by landing his army at Alexandria, besieging the city and capturing and executing the pair. However, while Octavian’s army is bigger than Marc Antony’s forces, he and Cleopatra have allies who can come to their aid. Both sides prepare for a final showdown.
——UPGRADED——
Young Voula and her five-year-old brother Alexandros board a train from Athens bound for Germany, in search of their father, whom they have never met. Over the course of this coming-of-age road trip through Greece, the two determined youngsters will learn several of life’s lessons – some of them rather harsher than others.
Alberto Menichetti lives with an aunt and an old housekeeper, Clotilde; he has a job in a firm and his boss is Mrs. De Ritis, a widow whose husband was killed during a wild boar hunt. She likes him but Alberto likes Marcella; she is under age and he is awaiting her birthday to declare his love. His greater traits are to be fearful of everything and to be selfish. This nature will get him into trouble.
VITO AND THE OTHERS is the groundbreaking film which drew international attention to the problem of neglected youth and street crime in poverty-stricken Naples. The film’s opening moments are startling and deeply disturbing. A despairing Rosario has just murdered his wife and daughter at the dinner table on New Year’s Eve. Somehow, Vito quietly convinces his father to drop the gun, spare their lives and call the police. Placed in the custody of sexually abusive relatives, Vito is left free to roam the trash-strewn back streets of Naples where he and his friends engage in drug abuse, prostitution and petty crime.
Michael is the younger son of a middle-class family, a strong-willed and free-thinking fellow, who is off in some distant country fighting for a revolutionary cause. Everyone in the family writes to him, describing the events of their lives, as they drift into a kind of conventionality which would perhaps have horrified them earlier. Only Michael’s girlfriend Mara, the mother of his child, retains her independence, even though it is through the help of Michael’s increasingly conventional friends and family that she survives.