Tag: ITALY

November 24, 2024 / Arthouse
November 24, 2024 / Arthouse

The first feature film by young fashion photographer Massimo Mazzucco is a charming and fragile work of atmosphere and sincerity. Made on a shoestring budget, the film takes us on a trip to New York City with Italian tourist Marco, who tries to find his way through the jungle of a giant foreign city.

November 24, 2024 / Erotic
October 7, 2024 / Thriller

A wealthy landowner haunted by the spectre of his dead mother has a fling with a beautiful fugitive who bears a striking resemblance to his missing wife, who may have been murdered.

September 29, 2024 / Arthouse

Piavoli’s lyric ode to the cycles of life charts the passages of infancy, youth, maturity and old age against the seasons of the year in the bucolic Lombardy village of Castellaro. The chimes of the clock in the town square punctuate the rhythm of life: birth, the amazements of childhood, the emotional upheavals of adolescence, the first attempts and failures in romance, the dancing, the loving, and the hallmark event of marriage. Rich in sound and glorious images, VOICES THROUGH TIME evocatively shows “the course of life like a river flowing, without whirlpools, without waterfalls, to let people consider the incessant flowing of things, the unstoppable course of time.

September 29, 2024 / Drama
September 26, 2024 / Drama

In Italy, gambler and poetry professor Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months at a high school, replacing another teacher. His relationship with his partner Monica is in crisis and he spends most of the time with his new acquaintances and gamblers Giorgio Mosca, Marcello, and Gerardo Pavani. In the classroom he meets 19-year-old student Vanina Abati, who is Gerardo’s girlfriend, and they fall in love. Their relationship leads to a tragic end.

July 25, 2024 / Arthouse

Brocani conjures together all your favourite European cultural and historical myth figures in order to attack the centuries of ‘sublimation’ that have produced our cities and their inhabitants. The gang’s all here: Frankenstein’s monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa. The range is extraordinary, from stand-up Jewish comedy to a kind of flea-market expressionism. Brocani’s approach is contemplative rather than agitational, which confounds the impatient; Gavin Bryars’ lovely Terry Riley-esque score matches the ambience exactly.