Tim McIntire plays a white settler who weds Indian woman Serene Hedlin. The couple is ostracized by the white and Indian community alike, and are forced to pull up stakes. En route to their new home, the pregnant Serene suddenly gives birth. Unfortunately, the couple’s child is born on sacred burial ground, making their already precarious place in society all the more shaky.
The Hounds of Notre Dame is about 36 hours in the life of Père Athol Murray, a hard-drinking, chain-smoking Catholic priest, teacher, political activist and coach of the school hockey team, The Hounds.
A college professor and his ex-girlfriend find themselves being hunted by the CIA, the KGB and an African drug smuggler. Seems they have inadvertently gotten information that would show how the KGB gave the CIA state secrets in return for a cut of the African drug-smuggling market.
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Rosa la Rose is the most beautiful prostitute of Les Halles. Every client wants her and she accepts everything. Her pimp is a sympathetic and generous man and there is not much to tell about Rosa’s life. Until one day she meets Julien, a young guy, and falls in love with him. But will it be worthy to leave her life for a madness love?
Because he has missed the annual migration, Howard the duck spends the winter in New York City. Based on the book “Howard” by James Stevenson.
An oil company is exploring two Arctic sites for oil. The needed blasting at the first site rocks Santa Claus’ North Pole village. He realizes that any blasting at the second site will destroy his home. He enlists the aid of a woman and her children to convince her husband (who works for the company) that the first site is where the oil they want is. Along the way, Santa explains all his secrets in delivering presents all around the world.
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The Man Who Envied Women wryly chronicles the aftermath of a breakup between a philandering professor, played by two different actors, and his artist wife, voiced by choreographer Trisha Brown, who serves as the largely unseen narrator. Yet the work’s concerns radiate far beyond the couple, expanding to include film history and on-the-ground politics alike—punctuating the piece are a variety of cinematic quotations, from Hollis Frampton to Barbara Stanwyck, as well as documentary footage of spirited exchanges about American imperialism in Latin America and the housing crisis in New York.
