Ruben is a lone and unbalanced young man who lost his sight in childhood. Marie is an albino woman of temperate look and with a lot of insecurities. She has a beautiful voice and along with Ruben shares a mutual love for books and tales. Ruben’s mother hires her as a reader to read her son books orally. While they live in a mansion, between these two lonely souls sparks love, but will love still be blind if the man recovers from his blindness?
rarefilmm | The Cave of Forgotten Films Posts
The mother of the Indian female singer Pallavi is at the end of her life. She was master and teacher for her daughter for the art of Indian singing. But she will not be able to complete her lessons. So Pallavi experiences the lack of the guru of her mother. Finally she finds him in a very young street-girl who is able to sing marvelously. But this girl keeps disappearing again and again…
This lighthearted romantic comedy stars William Holden as working stiff Michael Stewart and Frances Dee as wealthy socialite Candace Goodwin. Falling in love with Michael, Candace agrees to marry him on his terms-namely, that they survive on his salary alone. Inevitably, Candace has trouble adjusting to her new lifestyle and yearns for the luxuries lavished upon her by her family. Meanwhile, Michael begins to suspect that Candace has been keeping company with men from her own social set.
Looking to escape a troubled marriage, a woman returns to her hometown, where she repairs a broken friendship with her cousin and finds true happiness.
Just paroled from a prison term for manslaughter, ex-Marine Jim Hughes makes a new start with his wife Ellen and ten-year-old son Paul, on a ranch given him by his old Corps commander. Krivak, a vicious neighbor, threatens to take the land away from him after Jim refuses to sell. He instigates a fight between his dog Thunder and Paul’s much smaller dog, which is killed. Later, the grieving Paul finds a wild puppy, half dog and half wolf, and Jim lets him keep it. Preparing to take his herd to market, Jim finds his fences cut and his herd stolen. He is accosted by two escaped convicts, Trent and Hawkins, who knew Jim in prison, and they force him to take them in.
In 1930s, hard-working girl Betty Boop sings at nights at her uncle Mischa’s popular NY nightclub and dreams of marrying a posh rich playboy, Waldo. Gangster Johnny “Throat” and a nice hard-working ice-seller, Freddy, also woo her.
The residents of an old people’s home anxiously watch television weather forecasts that predict a hard winter. When a huge transport of coffins arrives in the same night, the old people start to suspect that someone is preparing a mass death for them. In solidarity, they decide to escape and… go out to the country. They are followed by a police chase, which at times resembles a manhunt. The film, made in 1981/82 but released a year later, unexpectedly became a metaphor for the Polish history of the time.
Brocani conjures together all your favourite European cultural and historical myth figures in order to attack the centuries of ‘sublimation’ that have produced our cities and their inhabitants. The gang’s all here: Frankenstein’s monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa. The range is extraordinary, from stand-up Jewish comedy to a kind of flea-market expressionism. Brocani’s approach is contemplative rather than agitational, which confounds the impatient; Gavin Bryars’ lovely Terry Riley-esque score matches the ambience exactly.