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A sensitive, low-key portrait of the East Bay Activity Center, a school in Oakland, California, started in the 1950s to help emotionally disturbed children. The atmospheric documentary opens with hilly East Bay streets shrouded in fog. The mist lifts as the film moves to children at play. Often shown in unobtrusive close-up, the youngsters appear as thinking individuals, enjoying the swings, puzzling out problems, or interacting with their teacher in the classroom.
Category: Experimental
A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker’s traumatic Catholic experience. The film is intended in part as ‘anti-imagery’ in response to the iconography of Catholicism.
A live action viewpoint camera cuts between various mundane settings – children in a nursery, a house, office, workshop, church, hospital, farm, train and so on. The images are increasingly treated with effects, then shift to animation – showing rolling abstract patterns – before reverting back to live action, to be brought up short by a door with a notice pinned to it: “Stop! Entrance Prohibited”.
Remember Me is a dark, obsessive and emotive treatise on death. Its aim is to explore the intimate, personal and often secret relationships that people have with mortality and loss. The film uses original and found footage to capture the complex web of emotions which surround death and to create a passionate journey through difficult private territories.
A bilaterally symmetrical (west to east) fusion of human, biomorphic and mechanical shapes in motion. Has to do with the spontaneous generation of electrical energy. A fairly rare demonstration of the Sabattier effect in motion. Numbered after the film stock of the same name.
A slowly disintegrating painting, a bird on the painting that later flies away. An ethereal female figure that pops up from time to time, then as a counterpoint a disgusting insect, an undulating multitude of pebbles and a plethora of letters fill the picture. In other words, the combined spectacle of visual motifs and sound effects creates a unique and memorable vision of the passing of time and the continuous change of time.
An unstable man named Jim spends the summer in an empty mansion. There he meets a mystical woman, a real estate agent, and a man called Mick Prophet. Over the course of time, a series of strange and disturbing events occur as punks, serial killers and witches cross his path.
Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim’s film transforms before our eyes into a playful meditation on wrangling the natural elements into art.