An animated urban tabloidshort about late socialism in the Kádár era, based on interviews with passersby. Its title, which combines the words “report” and “portrait,” features exclusively talking heads and offers an overview of the living conditions, opinions, and plans of Budapest residents of different backgrounds and ages during the János Kádár era.
Category: Experimental
The line between genuine love and violent obsession is blurred when a man falls for a girl and proceeds to tie her up with rope to him, making her follow him around and bend to his whims until tragedy ultimately befalls them both.
A re-interpretation of the myth of Ulysses, the symbol of a man eternally torn between nostalgia for his past and a desire for discovery, between fear and enchantment, which, for Piavoli’s hero, is above all an enchantment with nature. The language of the film, invented using a mixture of Greek and ancient Mediterranean dialects, becomes a symbol of this ancestral wandering.
Since the turn of the century, popular media in the U.S. have promoted a stereotyped image of Latin America in order to justify the concept of U.S. dominance in the hemisphere. The Gringo in Mañanaland uses travelogues, dramatic films, industrial films, newsreels, military footage, geographical textbook illustrations, and political cartoons to take a detailed look at United States media representations of Latin America.
Surveying representative moments from the history of Mesoamerican antiquarianism, this experimental documentary suggests how diplomacy and Pan-Americanism framed the recontexualization of archeological objects as art. Part faked newsreel, part diffusionist rant, Ruins uses appropriated sounds and images to contemplate a history of appropriated objects. The film visits with Brigido Lara, master forger, and suggests parallels between the documentary film and the fake.
Life as a theatre of its own. A film inspired by the photographs of Eadweard Muybridge (1830 -1904), the pioneer and the inventor of zoopraxiscope – a device for projecting motion pictures.
A kaleidoscopic journey through Budapest over the course of a single Sunday, where ordinary moments—work, family gatherings, public parks, bars, and nightlife—become fragments of a larger portrait of everyday life. Eschewing traditional storytelling, András Jeles transforms the city’s routines into an experimental visual poem.