Animated film satire of self-indulgence in a hungry world. Rapidly dissolving, reshaping images, made with the aid of a computer, create a stark contrast between abundance and want. A man eats, at first sparingly, but his appetite grows to gluttony, greed, and gratification of every desire. The nightmare that finally haunts him is the one that hangs over our disparate world.
Category: Experimental
What do painters’ models dream of during their breaks? The fantasy world of a young girl preoccupied with her own beauty… A mix of live action, animation, and video effects.
Eveil is, in a way, the story of humanity transposed through the dreamlike universe of Peter Foldes, who conceived, created and designed this original work. In an absurd and formless world, in continual mutation, a girl wakes up, naked as on the first day. Drawn into a mad dance, she is finally absorbed by computers and reproduced in thousands of living and identical copies that encounter war, cruelty, death, brutality, old age, physical love, and futility.
Animated film conceived and directed by Peter Foldes on a dark scenario that can be seen as a metaphor for human cruelty through the growth of a man from his birth where already a baby, breastfed by his mother, he ends up devouring her. As an adult, he experiences his strength, war and indulges in the destruction of everything within his reach.
With a combination of Hollywood, European and Israeli film, documentary, news coverage and excerpts of ‘live’ footage shot in the West Bank and Gaza strip, Introduction to the end of an argument critiques representation of the Middle East, Arab culture, and the Palestinian people produced by the West.
During a film course lead by Yvette Biró at the Hungarian Academy of Drama and film in 1995, the director students were shown a black-and-white photo taken by Lucien Herve in 1952, and they were given the task of writing a short film based on it. Three women are standing at the outskirts of a village, looking out of the picture in the same direction. This six-minute one-shot film shows what the Herve photo does not.
A drama about a group of people stranded at an old wartime guesthouse during a flood. One guest announces that he has the power to “decreate” people and is asked to demonstrate. From an original story by Harry Farjeon.
Ritualised through performance to camera, Stages of Mourning is Pucill’s journey of bereavement. In as much as this is a meditation on coming to terms with loss, the film is an exploration of how our relationship with the dead is made different through film. The artist orders image fragments of her late lover and collaborator, Sandra Lahire. By trying to physically immerse herself into photographs and film footage or by restaging these, Pucill forms a continuous stream of a life of two lovers. Through this doubling and layering, illusions accumulate as if these were a product of a machine that didn’t stop.