The legendary actress Sarah Bernhardt’s unconventional life and career are examined in this biopic. At an audition in 1860, the teenage Bernhardt proclaims herself the greatest actress of her time. Her career blossoms, as does her private life. But art and life don’t stay balanced, much to the frustration of her lovers. The eccentric Bernhardt eventually does marry another actor, but it’s her life on stage that ultimately gives her the most satisfaction.
Category: Drama
Ishihara Kiyoshi plans to marry the woman he loves, Chiee, a coffee shop girl. After an accident, Chiee loses her memory. A romance movie whose original work by Ayako Sono was made into a melodrama by a combination of Shinoda Masahiro and Terayama Shuji.
After narrowly surviving a traumatic brain injury, macho pro boxer Eiji Adachi (Hidekazu Akai) puts his life on the line for another chance at boxing glory—vying for a comeback despite the seriousness of his condition. A hyper-masculine brute with a devil-may-care attitude, the hot-tempered Adachi starts again from the ground up, launching his own Osaka training gym with the hopes of returning to the ring. At times comically absurd, Sakamoto’s film brings a satirical yet bleak approach to the self-destructive nature of the boxer, further bolstered by the very fact that the film is based on the life and career of lead actor Akai himself.
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady’s man. Having lost his place in the state orchestra, he must make ends meet by playing at funerals and painting tombstones. But he has run up a large debt, and when his friend, the grave-digger Mr. Broz, suggests a scheme for making a lot of money by marrying a Russian woman so that she can get her Czech papers, he reluctantly agrees. She takes advantage of the situation to emigrate to West Germany, to her lover; and leaves her five-year-old son with his grandmother; when the grandmother dies, Kolya must come and live with his stepfather, Louka.
A group of neighborhood teenagers discover some suspicious goings-on near a naval base in San Diego, and suspect that a foreign espionage ring is at work trying to find out military secrets.
Handsome, from rundown suburbs, Roman, aged twenty, unemployed with a child of 20 days and the mother of the latter to support, Davide spends a day looking for work, finds a somewhat shady one, is cheated, steals a ring from a dead and, to the mother-child who questions him on where the money comes from, he replies: “I didn’t hurt a living soul.”
Gaston Kaboré’s movie «Zan Boko explores the conflict between tradition and modernity with a family in a rural contexr. It has been for long time a central theme in many African films. Kaboré tells the poignant story of a village family swept up in the current tide of urbanization. In doing so, «Zan Boko» expertly reveals the transformation of an agrarian, subsistence society into an industrialized commodity economy.