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Frank Dayton leads a group of crooks in a caper to steal $2,500,000 from an Air Force base. Dayton is the tough-guy military leader who recruits Mike, ex-Nazi Max, sadistic killer Barney Barry, and failed French artist Claude in the scheme.
Category: Drama
An out of work racehorse trainer is adopted by the daughters of a wealthy breeder and trains a cast-off horse for the big race of the season.
A young writer is invited to stay in a religious hostel run by a sinister, manipulative nun who plays deadly psychological games with the inhabitants.
A spontaneous romance blooms between Kawamura, a professor touring Europe, and Naoko, a married woman living in Paris, scarred by the Nagasaki atomic bombings. The two protagonists travel around Europe trying to find themselves.
On a hot summer day three boys are splashing around the river. One of them gets his hand caught in the stone masonry of a railway bridge. Many peasants, the passengers from the train, which stops nearby, and the crews of tanks taking part in a military exercise flock to the scene of accident.
Described as an answer to Fassbinder’s The Marriage of Maria Braun, Fraulein tells the story of a German woman and a former French prisoner of war living in 1950s Germany. Instead of playing a role in rebuilding her country, Haneke’s heroine remains preoccupied with her personal affairs. Shot predominantly in black and white (with a color sequence added toward the end), Fraulein asserts Haneke’s place alongside the masters of the New German Cinema.
As the soirée goes on inside the elegant townhouse, why are people being rounded up in the street? And what is really being said behind the smokescreen of cultivated cocktail party chitchat about health clubs and island retreats? Employing the original cast from the Almeida Theatre production and directed by Pinter himself, this 1992 production of Party Time—a surreal drama of mannerly rudeness, emotional violence, and sexual tyranny—’bears all the hallmarks of Pinter’s strength,’ says critic Christopher Edwards, of The Spectator (London).
In his debut feature film, Kumar Sahahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.