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Two Coast Guard pilots fall in love with the same woman. She chooses the more macho of the two, but soon tires of his hyper-masculine behavior. She leaves him. He tries to win her back by showing off in a Navy plane, but ends up crashing and losing his pilot’s wings. When his buddy is lost in the Arctic, the wingless pilot begs for the chance to redeem himself and find him.
Category: Drama
As suggested by its title, Behind the News was a “stop the presses!” yarn set in a big-city newsroom. Lloyd Nolan is top-billed as a cynical reporter with a penchant for sticking his neck out too far. Frank Albertson costars as a cub reporter fresh out of journalism school, whose presence is resented by Nolan and his fellow workers. But it is Albertson who, after running afoul of the law, is instrumental in breaking up a ring of racketeers.
Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory.
Dedee is a prostitute, working in Monsieur Rene’s night club on Antwerp’s harbour. The porter is Marco, her pimp. Dedee is not happy, until she meets Francesco, an italian sailorman. They fall in love and Dedee begins to dream about an escape of her daily dullness.
Two segments. The first one arranges six stories from Cesare Pavese’s “Dialoghi con Leucò”, taken from classical mythology. The second segment is taken from Pavese’s novel “La luna e i falò”: after WWII the emigrant ‘The Bastard’ comes back to his village in the Langhe (northern Italy) to find that everyone he knew has died and the war has deeply changed relationships between people.
In anticipation of Airport 34 years later, womanizing pilot Jack Gordon is called upon to safely guide his plane through a blinding blizzard. His task is complicated by a trio of crooks who are escaping from the law after pulling a jewel heist, and by a shady nobleman who offers Gordon a large amount of money if he will land the plane before San Francisco. In the climax, one of the passengers hijacks the plane, only to be foiled by — of all people — an obnoxious brat of a youngster.
Fed up with an escalating crime rate and an increasingly ineffective police force, blue-collar New Yorkers Willie and Cy join a citizen’s vigilante group. Their efforts to act as an auxiliary police force are comically inept, but director Ivan Passer lulls us into laughter only to catch us unprepared when he wants to play things in dead seriousness.