Salvatori pays a visit to his old ma who is bedridden in a gloomy old people’s home. He promises her that pretty soon he’ll be rich and they’ll live together in their house. The young man is hired as a catering assistant in a desirable mansion, but the owner of the place is dying. The wife and the daughter are trying to regain the old man’s love and affection while the son is busy gathering his friends for a feast.
Category: Drama
The 50-minute “Madagascar” has the resonance and eloquence of the best poetry, as it deftly turns an adolescent’s search for identity into a metaphor for post-revolutionary Cuba. Laura is a professor at a shabby, stultifying college. Her daughter, Laurita, stops going to school, wishes to move to Madagascar and quickly races through several phases.
The body of an unknown beautiful woman is fished out of the river and leaves the policemen wondering what drove the girl to such a grisly fate. The film then flashes back to months before, showing the torrid love affair between a young cabaret singer and a rich playboy that ultimately results in tragedy for the girl.
Dingaka tells the story of a tribesman, Ntuku Makwena, who avenges the murder of his daughter according to traditional tribal laws. His act of revenge leads him to be tried under government laws, where justice for black people does not exist.
After a frank confession by his wife, a doctor is called to see a dying patient. The cause of the night brings him to meet an old friend, a pianist, who tells him of a mysterious ball where he is due to perform. Based on the book “Traumnovelle” (“Rhapsody: A Dream Novel”) by Arthur Schnitzler.
——UPGRADED——
Job and his wife, Róza, have been blessed with old age, but not with children. All the children of the Hungarian couple died in adolescence, leaving them without descendents to pass their Jewish heritage on to. Fearful of the oncoming Nazis, they take in a Christian boy, Lackó, who quickly grows to love the patient Job and loving Róza. The bond between father and son is tested when German troops march into their tranquil town.
A few men are gathered for a day’s rabbit hunting. The place looks as desolate and barren as it is possible to imagine, and the heat is obviously intense. The men have memories of this godforsaken gulch, since it was a battlefield in the Spanish Civil War. As the day goes on, the scorching sun frays the men’s nerves and sends them toward delirium, bringing out their inner weaknesses and their personal conflicts, normally concealed beneath a veneer of politeness.
In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He’s enchanted and tells his friend the village priest that he’s living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.