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A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks and the government, in which she will be somehow involved. Meanwhile, practising her theories, she makes some old men very happy and, by chance even passes as a saint!
Category: Arthouse
A patient observation on the adventures a group of three young girls spending their three-week summer vacation at a small village, a quotidian that includes cooking, excursions, playing cards and going out with guys, enjoying the simple pleasures life has to offer.
High-rise window cleaner Katsuo sees an office lady in an awkward situation. He is smitten and pursues her hotly. They are both running away from a hopeless life in their villages. They fall in love, but she gets raped. Tragedy ensues.
After being drafted into military service, a Polish student spends his last day coming to terms with his estranged wife, visiting old friends, and savoring some last moments of freedom.
Shot in the summer of 1980, this film from longtime directorial partners Straub and Huillet investigates the changing relationship between people, the land, and society in France and Egypt.
Somewhere between Woody Allen and Freud, between documentary and fiction, Histoires d’Amerique conjures up the destinies of several generations of Jewish immigrants in New York.
The childhood and early adulthood of Li Tien-lu, an 84-year-old Taiwanese puppet master, comes to life using a combination of documentary technique and elegant dramatization, while the real Li functions as on-and-off-screen narrator, as the film travels from 1908 to 1945.
Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, “Boiler Room No. 6” is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. The nearly surreal “Ophelia,” the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. The third vignette, “The Maiden and Death” follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather.