Based on the traditional Portuguese tales A Donzela que vai à guerra and A Mão do finado. In Portugal during the Middle Ages, the elderly Dom Raimundo decides to marry off his daughter Silvia to a rich neighbor. He goes to the royal court to invite the king to the wedding. But in his absence, Silvia disguises herself by becoming a soldier named Silvestre.
Category: Arthouse
A bizarre black-and-white film noir reworking of Shakespeare’s ‘Hamlet’. After the death of his father, young Hamlet inherits a seat on the board of a company controlled by his uncle that decides to move into the rubber duck market. But Hamlet is suspicious of the circumstances surrounding his father’s death…
A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life…
Nuit noire, Calcutta, a film commissioned by the pharmaceutical industry and hijacked by Marin Karmitz, unfolds as an intense, nocturnal meandering, with a screenplay by Marguerite Duras. Marin Karmitz rapidly abandons the informative intent of the project, adopting a much freer narrative. Although the film’s purpose is to promote a drug claiming to cure alcoholism, it transforms into a black-and-white mirage, starring Maurice Garrel as a drunken writer, a vice-consul in Calcutta, who is rendered creatively impotent.
Inspired by Gabriel García Márquez’s One Hundred Years of Solitude, Terayama’s final and elaborate opus takes place on a remote Okinawan island, where a mythical time law rules and shapes memories, life and even death. Sutekichi and his cousin Su-e love each other, attracting the attention and insults of the superstitious inhabitants of an isolated village beyond time. When Sutekichi murders his rival Daisaku, the couple decides to flee from the village, but Sutekichi is haunted by Daisaku’s ghost and increasingly affected by the unforgiving course of time.
Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won’t hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune. Based on Nikolai Gogol’s short story “The Eve of Ivan Kupala” (“St John’s Eve”) and Ukrainian folk tales.
Fake, follows three young men—Ber, Po, and Soong—roommates in Bangkok who are each at different stages of navigating love and relationships. Ber is consumed by the pain of a breakup, Po hides his vulnerability behind his womanizing ways, and Soong dreams of finding “the right one” without knowing what that really means. Their lives take an unexpected turn when all three become infatuated with the same woman, unaware of each other’s pursuit. As their stories overlap, the film paints a portrait of youthful longing, heartbreak, and the fragile line between friendship and rivalry.
Two eccentrics who have ended up in jail due to their inability to conform build a fantastical flying machine to flee their grey reality. At once a bizarre comedy with bite about two outsiders in some indeterminate place at some indeterminate time, a plea for the power of dream and a concealed critique of the system.