A mysterious agent arrives on planet Earth. According to his information, this area should have no trace of life, but to his astonishment he detects the presence of humans. He closely observes them from his hiding place, but after a while, the encounter is unavoidable. However, it suddenly hits him that they do not percieve each other the same way… Ildikó Enyedi’s film, with its peculiar atmosphere, was inspired by one of Adolfo Bioy Casares’ science fiction stories, and she used the exciting storyline to explore philosophical questions about moving images, appearances and reality.
Year: 2026
Since the turn of the century, popular media in the U.S. have promoted a stereotyped image of Latin America in order to justify the concept of U.S. dominance in the hemisphere. The Gringo in Mañanaland uses travelogues, dramatic films, industrial films, newsreels, military footage, geographical textbook illustrations, and political cartoons to take a detailed look at United States media representations of Latin America.
Surveying representative moments from the history of Mesoamerican antiquarianism, this experimental documentary suggests how diplomacy and Pan-Americanism framed the recontexualization of archeological objects as art. Part faked newsreel, part diffusionist rant, Ruins uses appropriated sounds and images to contemplate a history of appropriated objects. The film visits with Brigido Lara, master forger, and suggests parallels between the documentary film and the fake.
A remarkably colourful and absorbing documentary, Power Trip takes us to the former Soviet Republic of Georgia where AES, a multinational conglomerate based in Virginia, has bought into the recently privatised business of electricity supply. First task: persuade consumers accustomed to getting their power for free to part with half their incomes to pay for it. Second task: deal with riots. Next, dismantle countless homemade wiring systems, detect elaborate power diversion mechanisms and install meters… The obstacles to commercial success pile up on each other like an escalating absurdist nightmare that takes us into the highest echelons of political power and corruption.
An alien spaceship carrying a child crashes. A villager accidentally finds the injured child and decides to help him. The villagers mistake him as the villager’s illegitimate son and witness some extraordinary events.
A timid night-school teacher becomes the world’s first pregnant man after a one-night stand, sparking a whirlwind of media attention, political panic, and increasingly absurd situations as he struggles to navigate fame, love, and impending fatherhood.
Pierre Wesselrin is a 40-year-old American who lives in Paris by sponging off his working friends and various wealthy acquaintances. He receives a telegram saying that a rich aunt has died, so he throws a party, using borrowed money of course, and invites all his friends. After discovering that his aunt disinherited him, his luggage is impounded and he is thrown out of his apartment. All his friends are now away for the summer, or are working outside Paris, so he is forced to wander the streets and become a clochard.
Adrien is 19 years old. He has not met his father, Clément for 4 years. Adrien returns home and the two try to better understand each other. Clément lives together with Louis, a twenty-something girl who wants to be an actress. The boy starts a flirt with Louise which pushes the father-son relationship back to a crisis…