Linda Carter, a newspaper reporter, and Denny Butler, the feature editor on the same newspaper, set out to track down a gang of literary forgers who are making a fortune off of selling fake first editions.
Year: 2019
Uncle Remus draws upon his tales of Brer Rabbit to help little Johnny deal his confusion over his parents’ separation as well as his new life on the plantation. The tales: The Briar Patch, The Tar Baby and Brer Rabbit’s Laughing place.
The Lone Rider Tom assumes a former outlaw’s identity to learn where the gold from his last big heist is hidden. He tries to get the info from Blackie Dawson, but Blackie gets suspicious.
In this crime drama, an African American ex-Army officer forms a militant organization to fight for equal rights and equal pay. Their trouble begins when he and his crusading commandos rob a factory to help pay the bail of jailed colleagues. Loosely based on the 1947 Carol Reed film “Odd Man Out.”
Franek, a petty criminal and gambler, befriends a man who performs inspections of meat plants. His assistant. Rysio, suspects wrongdoings at the slaughterhouse. Franek, despite his age, cannot find a place in life, with nothing achieved and, what’s more, still not knowing what to do.
An itinerant troupe of show-biz folks arrives in Cactus Creek. This band of traveling players consists of a hammy Shakespearean actor named Tracy Holland; Lily Martin,an ex-hoofer, and the young ingénue, Julie Martin. Edward Timmons is the show’s combination prop man, stage manager and extra, who has aspiration of becoming an actor. While the show is going on, local badman and leader of a bank-robbing gang, “Rimrock” Thomas steals everything that isn’t nailed down. This leads to several complications.
——UPGRADED——
Aya is the Madame who runs a restaurant where geishas meet with their customers to eat, drink, listen to music and sing. Miyako, the daughter of Aya, is a liberal girl but far from the world that surrounds her and her mother. Her best friend is the daughter of one of the best customers in the house and a very rich man who in turn tries to Aya. But the mother and the daughter are in love with the same man.
M/OTHER centers on a seemingly stable relationship at the moment when it starts to come apart. Tetsuro, owner of a chain of elegant, loss-making restaurants, is recently divorced; his ex-wife has custody of their eight-year-old son, Shun. Tetsuro now cohabits with a younger woman, Aki, a graphic designer. When Shun comes to stay for several weeks (his mother is in hospital with a broken leg), Aki finds herself cast as his surrogate-mother– or is it that she unconsciously casts herself in the role, to measure herself against the absent ex-wife?