One of the most important films of the French experimental cinema, filmed by the Mexican director Teo Hernandez. A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color and the projection speed.
The controversial, sexy, surreal story of a messenger and his journey and encounters with many historical events and people like Auschwitz, the Ku Klux Klan, Frida Kahlo, Cortés and Emiliano Zapata (as a beautiful woman!).
A comic spoof drawing irreverently on both the Shakespeare play and the 1877 story by Jules Laforgue. Hamlet is a would-be playwright. He suffers from inept Freudian analysis by Polonius, and Ophelia and Gertrude are women conjured up in his erotic imagination. After Claudius kills his father, Hamlet only thinks of preparing to put the theatre production in Paris that he was getting ready at Elsinore.
Bert Deling’s surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what’s real is pushed to its very limits.
Footage from three distinct visits to the home of Jerome Hill make up this tribute to him. Mekas visited Hill in 1966 with P. Adams Sitney. He then returned briefly in 1967 and again after Hill’s death in 1974. This elegy is dedicated to Hill, who may have felt as much an exile as Mekas did. Music performed by Hill, Taylor Mead, Charles Rydell and others makes up the soundtrack.
On October 9th, 1972 an exhibition of John Lennon/Yoko Ono’s art, designed by the Master of the Fluxus movement, George Maciunas, opened at the Syracuse Museum of Art, curated by David Ross, presently Director of Whitney Museum, in New York. On the same day an unusual group of John’s and Yoko’s friends, including Ringo, Allen Ginsberg, Paul Krasner, and many others, gathered to celebrate John’s birthday. This film is an visual and audio record of that event.
In 1979 Jonas Mekas made Paradise Not Yet Lost (also known as Oona’s Third Year) as a letter to his daughter and a memoir of the family’s life in New York and travel abroad in Europe.
A set of words without any meaning, forms the title of the first and only feature film in the history of Spanish cinema made entirely by hand-painting directly on celluloid.