If we split the Spanish word “cadáveres” (corpses) in three parts, we obtain another three different words: “Cada-ver-es”, that can be roughly translated in English as “Every-sight-is”. This experimental documentary follows the life and work of Juan Espada, the man in charge at the morgue of the Medicine Faculty in València, Spain, and deals with our visual taboos, the ones that we evade to watch: madness, solitude, death,… and several more that get portraited during its shocking footage. Shot on 16mm with a budget so low that the filmmaker had to sell his camera to finish post-production.
Category: Documentary
The World is Watching is a political film about the moral issues surrounding news gathering and newsmaking in the electronic age. Who decides what constitutes the news? How do they decide? And what about the men and women who report from the field. Are foreign correspondents allowed to tell all that they see? The film examines these complex issues by focusing on several international journalists in Nicaragua as they cover the negotiations surrounding the Arias Peace Plan in November 1987. With unprecedented access to the inner workings of ABC News, what follows is a unique portrait of a news crew in the field, as it interacts with the editorial process in the newsroom in New York City.
Collection of images of human and environmental disaster from former Yugoslav con-materials and images, testimony that restores existing vital values that could not be there. Created from private films shot between the 1920s and 1940s.
Documentary about The Hamptons, an area in the eastern part of Long Island (New York), famous for being a vacation spot for the wealthiest Americans: a place where wealthy families can spend the summer and weekends by the beach.
A look at the filming of the 1953 political drama “Salt of the Earth,” made by artists blacklisted by Hollywood during the McCarthy era. That film’s producer, Paul Jarrico, speaks about his late colleagues, Herbert Biberman and Michael Wilson, and about the Communist scare that gripped the film community in the 1950s.
A documentary about the U.S. judicial system, explaining the types of cases tried in the lower court, showing the typical minor offenders and examining the inadequate jailing facilities.
A few months before the passing of his friend and close collaborator dramaturge Saadallah Wannous, Omar Amiralay listens to his friend’s somber and relentless words, a farewell to a generation for whom the Arab-Israeli conflict has been the source of all disillusion.
James Ivory’s second documentary, The Sword and The Flute, also dealing with schools of art, grew out of his experience in making Venice: Theme and Variations. Only here, instead of photographing works by the Italian masters, he has used superb examples of Indian miniature paintings. Ivory’s intelligent script, narrated with feeling by Saeed Jaffrey, and accompanied by the music of Ravi Shankar and Ali Akbar Khan, traces the history of Indian miniature painting after the Moghul invasion as it develops into two principal schools, the Moghul (Muslim) and the Rajput (Hindu).