Taafé fanga is the film version of a Mali folk tale. The well-known griot Sidiki Diabaté is our guide through the cliff rocks of Bandiagara and through the past of the Dogon people. When the Albarga, the mask of the local spirits and also symbol of power, falls into the hands of the young woman Yayémé, this causes chaos in Yanda. The women exchange their skirts for the trousers of the men. Is it a curse? A divine punishment? The women take over power, but will the new order be able to resist all its inherent contradictions?
Tag: MALI
When bush fires break out in a small village in Malo, Sidy, a young forestry commissioner from the city, must journey into the spiritual realm. Although Sidy has been trained in modern techniques, he accepts that only by finding an herbal cure, called the seventh canari, prophesied by the oracle, can the fires be stopped. His journey into the Dogon country, popularized by western anthropologists, is his final step towards linking the two worlds, traditional and modern.
A landmark in African cinema, Souleymane Cissé’s film is set in the Malian empire of the 13th century and depicts the quest of a young son across the West African landscape to confront his father, a tyrannical magician. Although the film’s mythic narrative and arresting visual style lend it universal appeal, Yeelen’s use of Bambara, Fulani, and Dogon languages and its representation of power struggles across generations have been interpreted as a commentary on Malian politics of the postcolonial era.