Poet-playwright-teacher, Kenneth Koch, author of “Wishes, Lies and Dreams,” an anthology of children’s poetry, shows how children can write poetry. He explains his teaching techniques and demonstrates the writing of poetry with a group of children utilizing the possibilities in a television studio.
Tag: CAM3
A dramatization of key episodes in the life of Sojourner Truth, a freed slave who was born in 1797 and died in 1883, and became one of the first fighters for the civil rights of the Negro. Actress Pauline Meyers plays Sojourner in this vivid topical profile.
A thoughtful discussion between German film director Marcel Ophuls and CBS News producer Perry Wolff about political and historical documentaries with special emphasis on Ophuls’ masterful four-and-a-half-hour film about the fall of France in World War II, “The Sorrow and the Pity,”. Clips from the award-winning documentary are shown.
Film director Alfred Hitchcock discusses his life and career in long talks with Pia Lindstrom (newscaster and daughter of Hitchcock star Ingrid Berman) and with film historian William Everson. Excerpts from several films illustrate these interviews. Discussion topics include: what is fear?, method acting vs. film acting, the difference between the usual “Who Done It” mystery and what he considers to be real suspense. His choice of leading ladies and why (Bergman, Baxter, Kelly, Marie Saint, Leigh, etc.).
On this episode of Camera Three, actress Claire Bloom reads poetry. Excerpts include selections from T.S. Eliot, Lord Byron, A.E. Housman, Sir Philip Sydney, William Carlos Williams, Ezra Pound, and medieval carols.
Francois Truffaut in conversation in 1977 with Richard Roud, then Director of the New York Film Festival. Truffaut, director of “Jules and Jim,” “The Four Hundred Blows, etc. was in America for the premier of “The Man Who Loved Women” at the 15th NYFF. The film director speaks of his childhood, the moral challenge of World War Two, the real meaning of the “auteur theory”, how the conservative French film industry was forced to change, Truffaut as a “culture hero” in the US, making a film that is as personal as a novel, the difference between French and American approaches to cinema, and many other themes.
America’s great film director-actor Buster Keaton, discussed by film critic Andrew Sarris and Raymond Rohauer, cinema historian, with some unusual perspectives on his goals and motivations. Illustrated with many film excerpts from 1917 to 1928. Rohauer knew Keaton and was partly responsible from rescuing many of his old films from destruction. Sarris is a leading film critic who has often written about Keaton. Excerpts include portions of “The General”, “Cops”, “Frozen North”, “The Boat”, “Sherlock, Jr.” and others. Rohauer also describes rescuing Keaton’s films from a garage and talking with Keaton at the end of his life when he had been forgotten.