Maldoror’s short debut film Monangambééé encapsulates the director’s artistic and political vision: this is not militant grandstanding, but a deeply human and lyrical portrayal of colonial inequality and injustice. Based on the short story “O fato completo de Lucas Matesso” (1962) by José Luandino Vieira, it shows how an Angolan activist arrested by the Portuguese occupiers becomes the victim of an absurd linguistic mix-up.