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In 1951, scientists removed cancerous cells from American Henrietta Lacks just before she died in the hope that they held the secret of how to conquer cancer. The cells have been growing ever since and there are now billions in laboratories all over the world. This film tells how many believe they hold the key to conquering cancer.
Category: Television
Hawkins was an original film for BBC Television about a man who lives a double life, as a Nietzschean Philosophy Lecturer and as a Detective who is fascinated by lowlife and criminal mentalities.
Visualisation of Tony Harrison’s poem “V.”. V. is about the multiple meanings of the letter – victory, versus, verses, etc. Starting from an incident in a Leeds’ graveyard where the poet’s parents’ headstone has been defaced with graffiti, V. rises to a view of the divisions, antagonisms and aspirations within British society, and the poets own self.
In 1993, Chantal Akerman directed Sami Frey (actor who made the Jeanne Dielman’s making off in 74) in this episode of the tv mini-series “Monologues” (others episodes were made by Claire Denis, Romain Goupil, Jacques Renard and Claire Simon). He plays a man who just moved to a new building, and thinks about his situation. Why he leaved the older flat. He remembers about a summer a few years ago, the windows wide open. The air streams, the girls laughing next door…
Dramatizing a compacted group of memories passing over several years, Arthur Miller’s vivid comedy-drama portrays the nature of life during America’s great Depression.
On the Fourth of July holiday in 1906, the Miller family prepares to celebrate in their New England home. Young Richard, 16, is a thoughtful and poetic youth in love with a neighbor girl, Muriel. When Richard’s messages of poetry to Muriel upset her prudish father, Muriel is forbidden to see him and forced to write a letter saying she wishes no more to do with him. Richard, devastated, sets out to learn the evil ways of the world and put his broken heart behind him.
William Saroyan’s Pulitzer Prize-winning play revolves around the denizens of a San Francisco bar in 1939. Lonely, lovelorn, weary or cynical, the characters drift in and out of the bar and each other’s lives, giving voice to Saroyan’s philosophies as they randomly comment about the impending world war, the beauty of art, and traditional notions of good and evil. At least one of the relationships stands a chance of enduring: a brawny innocent named Tom is falling in love with a vulnerable young prostitute named Kitty. Saroyan himself is heard reciting the play’s prologue.