Sometime during the 19th century in Switzerland: After a delirious night of drinking, three herdsmen who are all alone in the alps with their kettle, create a female doll from cloth and a strangely formed wooden root. When their creation comes to life in form of an evil and beautiful female demon, they have to fear for their lives…
Category: Fantasy
A more horrific and gloomy version of The Beauty and the Beast. Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.
Three strangers – two women and one man – find themselves trapped inside an unfamiliar house with no recollection of how they got there. They soon discover that the house has been borrowed to serve as a temporary way station between life and death.
Shot in B&W, Gyula Gazdag’s film follows the surreal and often comic quests of young Andris, an orphan searching for a father who doesn’t exist, and Orban, a government clerk who’s had enough of oppressive bureaucracy.
The story of a mysterious traveling circus that arrives in a village accompanied by a sunglass-wearing cat named Mokol. When the cat’s glasses are removed, people in the village appear bathed in different colors that reflect their true feelings.
Dragon is a bloody dictator, who kills every opponent. People live hopelessly, until Lancelot comes to save the beautiful Elsa. Lancelot can only win, if all people become free from fear, that is feeding the Dragon’s power. Dragon’s multiple personalities, ranging from a “dragon” to a “samurai” to a “Nazi”, scare the hell out of all people, except Lancelot. Finally Dragon drops all his masks, to become the most dangerous of his incarnations – “himself”. And the battle begins.
Boy discovers how to dream travel. Only in this senerio he appears in real life at the location of his dreams while his “other” body lies in bed. He then teaches his girlfriend how to dream travel and together they share the adventures of their dreams.
Parking is director Jacques Demy’s homage to Jean Cocteau’s 1948 masterwork Orpheus. As in the Cocteau film, Demy relates the Orpheus and Euridyce legend in a contemporary setting. Now a rock ‘n’ roll sensation (instead of the poet of the Cocteau film) Orpheus falls in love with Eurydice, who in this version is a sculptress rather than a princess. The rest of the film adheres to the familiar story. Euridyce, who is death personified, beckons Orpheus into Hell, ostensibly to revive his dead lover. A shade brighter and more buoyant than its source material, Parking is the usual Jacques Demy brew of beautiful imagery and hokey dialogue.