Louis Coline assists the head of advertising of a department store in decline. He has little to do, but seems content with his marriage to Nina, his visits to his mother and grandmother, and poker games with friends. When new boss Bernard Malair arrives to turn the store around, Louis fears for his job; but Bernard, with his numbers man Paul and his factotum François, invites Louis into an inner circle of long hours of work, nightclubs, and dinners with an androgynous vamp. Nina objects, but Louis cannot say no to Bernard’s demands, no matter how personal. In desperation, Nina leaves Louis, but that drives him further into Bernard’s orbit. Can anything break this spell?
Category: Drama
Parigi e Sempre Parigi was the second feature-length effort from famed Italian documentary director Luciano Emmer. Parigi concentrates on a gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. The hero, DeAngelis has heard so much about “naughty Paree” that he’s determined to experience that naughtiness first hand. This plot device, of course, obliges the director to introduce several delectable French mademoiselles in the proceedings. Ultimately, DeAngelis realizes that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out.
Chris Waring is a government investigator trying to gather the necessary evidence to convict a shipping magnate, DeBrock, of selling his ships to the United States but is suspected of holding up and preventing their delivery because of bribes from foreign powers. DeBrock’s conscience, nor his flirty wife, Valerie DeBrock, give him any peace of mind.
During the Spanish Civil War, a detective from Scotland Yard falls in love with a woman he had believed to be a jewel thief.
Albin Skoda plays Hitler, who wanders in and out of delirium as his Third Reich crumbles. He is surrounded by reams of existential dialogue from his generals and associates, courtesy of screenwriter Erich Maria Remarque, who based his script on Judge Michael A. Musmanno’s book “Ten Days to Die”. Oscar Werner costars as a fictional “good” Nazi officer who acts as the film’s voice of reason.
Dick Heldar, a London artist, is gradually losing his sight. He struggles to complete his masterpiece, the portrait of Bessie Broke, a cockney girl, before his eyesight fails him.
Amiel per la Pelle (Friends for Life) is largely told from a child’s-eye point of view. The heroes of the piece are Mario and Franco, young classmates and inseparable buddies. After several “Our Gang”-style adventures, the boys’ friendship is threatened when Mario reveals a secret that Franco confided in him.
During World War II, Diatta is a Senegalese student serving as a sergeant as his country fights alongside the French, even though that same nation raided his village and killed much of his family years earlier. Then, after finishing their duty, Diatta and fellow soldiers are interned at a French camp in Dakar, presumably to be paid for their services. However, their stay is long and the treatment brutal, causing the worldly Diatta to take action against his oppressive captors.