Set in 17th century Norway, The Witch Hunt tells the story of a woman who returns to her hometown after a failed marriage; she is regarded as a witch due to her use of herbal medicine and love affair and gets ostracized. With the cold somber long takes, the film examines how women are isolated in a patriarchy, condemning the fear imposed upon women by history and power. The Witch Hunt put Breien together with Chantal Akerman among the most important female directors in the history of European cinema. The film won Special Mention for Historical Reconstruction and Best Actress at the 1981 Venice Film Festival.
Category: Drama
Paul and Paula have had bad experiences with love: Paul is financially well off but has lost all affection for his wife, and Paula leads a troublesome life raising two children on her own. They meet and discover a strong passion for each other. Life seems like a dream when they’re together – but their short flights from the burdens of reality are once and again interrupted by Paul’s ties to family and career.
In the first part of the film, two young women live together and create their own eccentric adventures, transforming their (always rainy) everyday environment into an enchanted playground, full of pop-musical sequences and synchronized tooth brushing performances. As the second half of the film shifts to both deeper psychological themes and a more meta-filmic playfulness, Yaguchi develops a bewitchingly melancholic atmosphere of unpredictability.
“Uncle” Moses is a wealthy garment store owner in the Lower East Side. He lords his wealth and its attendant power over the neighborhood, dispensing noblesse oblige and conducting casual affairs with numerous women. When he falls in love with the beautiful young daughter of one of his employees, he discovers what it is like to be beholden to another person.
Fake, follows three young men—Ber, Po, and Soong—roommates in Bangkok who are each at different stages of navigating love and relationships. Ber is consumed by the pain of a breakup, Po hides his vulnerability behind his womanizing ways, and Soong dreams of finding “the right one” without knowing what that really means. Their lives take an unexpected turn when all three become infatuated with the same woman, unaware of each other’s pursuit. As their stories overlap, the film paints a portrait of youthful longing, heartbreak, and the fragile line between friendship and rivalry.
This independent film, a slice-of-barrio- life that was shot and exhibited in South Texas. It is a compelling film about the dilemmas facing a young Chicano in the spring of 1972 amid the Chicano Movement.
Two eccentrics who have ended up in jail due to their inability to conform build a fantastical flying machine to flee their grey reality. At once a bizarre comedy with bite about two outsiders in some indeterminate place at some indeterminate time, a plea for the power of dream and a concealed critique of the system.
For generations, shepherds from villages high up in the mountains have been travelling with their vast sheep herds, moving them to distant pastures where they spend the long winter. Each of the villagers has a story to tell, intimated through flawless concision, while the film’s effortlessly fluid epic narrative is interwoven with lyrical passages, together creating a timeless cinematic poem about the primary values in life.