Set in South Africa, and based on the novel by Wilbur Smith. A family owned diamond empire is torn by the battles between an ambitious businessman and his playboy step-brother and a recently divorced sister. Power, money, love and passion all play heavily in the intrigue surrounding this battle for control.
Based on an actual incident, this is the story of five girls who are among the 200 women who answer a want ad for a modest secretarial position one rainy morning in Rome in 1951. They crowd and push their way into the old building and fight their way up the stairs to await an interview, only to be told there is not enough time to interview all. A scuffle breaks out and the stairway collapses sending many of them hurtling down in a mass of bodies amid brick and mortar.
Aging German man Heinz Alfred Geise is a successful business owner whose past is quite haunting; during World War II he helped orchestrate a Nazi-led bloodbath in a small Greek village. When this secret is exposed in a newspaper article, it causes his son, Andreas, to try to kill both his father and himself.
Oliveira returned to the center of Portugal’s film scene in the 1960s with Acto da Primavera, a work that marks a significant change in the director’s trajectory and that initiates some of the cinematic strategies that he would develop more fully in later films. In Acto da Primavera, Oliveira offers a version of a popular representation of the Passion of Christ, enacted by members of a rural community in northern Portugal, derived from the Auto da Paixão de Jesus Cristo (1559), by Francisco Vaz de Guimarães.
A hardened career navel officer must come to terms with adapting to civilian life with the help of a waitress that can see through his tough veneer.
Infidelity threatens to break up a marriage in this evocative feature from legendary Japanese director Mikio Naruse. Tsuma concerns the struggles of a woman who finds out that her husband is cheating on her; to avoid the stigma of a broken marriage, she decides she’ll do whatever it takes to keep him with her. Tsuma was adapted from a story by Fumiko Hayashi, who wrote about women’s cultural struggles in 1950s Japan and whose writings formed the basis for five other Naruse films.
The lives of the affluent residents of an exclusive town in the French countryside converge at a chateau owned by Marie-Agnes de Bayonette, a feisty, physically disabled woman, and maintained by her elderly cousin, Solange. When de Bayonette dies suddenly, cultures and personalities clash as an international cast of characters — including real estate vultures, bargain hunters and numerous distant cousins — descend upon the chateau.
Wayne Adams is murdered in a Barbary Coast saloon and gambling hall in San Francisco in 1880, and his sister, Julie, enlists the aid of the district attorney, Michael Lodge, in gathering evidence in which to convict the owner of the gambling house of the crime. In order to do so, Julie poses as a dance-hall-girl, and soon finds herself in a dangerous situation.
