With his monumental ‘film fresco’ Ferenc Kósa erected a monument to the peasant revolt led by György Dózsa (16th century). Although under the Marxist interpretation of history of the period the revolt was frequently simplified down to an early example of ‘class struggle’, in the screenplay of Ferenc Kósa and Sándor Csoóri the depiction of historical events bears the universally valid formulation of questions about revolution and violence, while the figure of Dózsa – thanks also to the characterization of Ferenc Bessenyei – takes on a more lifelike and human aspect.
Category: Drama
Gito is a young African intellectual returning home from France with numerous academic degrees and ministerial ambitions. Gradually his ambitions are crushed by the daily realities of his country. Gito is tested further by the alliance between his French girlfriend and his old sweetheart who join forces to teach Gito an unforgettable lesson.
A fifteen year marriage dissolves, leaving both the husband and wife, and their four children, devastated. He’s preoccupied with a career and a mistress, she with a career and caring for four young children. While they attempt to go their separate ways, jealousy and bitterness reconnect them.
In crisis-stricken 1999 Argentina, Ariel—a young man from Buenos Aires’ Jewish community—grapples with his mother’s illness, a lonely night-shift job, and his own coming of age. He crosses paths with Santamaría, a middle-aged man adrift after losing his job and marriage, who spends his days returning stolen wallets he finds in the trash. When Ariel recounts Santamaría’s story to Laura, a TV reporter he desires, their lives begin to intertwine. As Christmas and Hanukkah near, each searches for connection amid uncertainty.
Based on the traditional Portuguese tales A Donzela que vai à guerra and A Mão do finado. In Portugal during the Middle Ages, the elderly Dom Raimundo decides to marry off his daughter Silvia to a rich neighbor. He goes to the royal court to invite the king to the wedding. But in his absence, Silvia disguises herself by becoming a soldier named Silvestre.
A ten-year-old boy, son of a soldier who stayed in England after the war, cannot count on a peaceful childhood in Stalinist Poland. So his mother sends him to be raised by a friend as a war orphan. The company of his aunt, a horse-riding enthusiast and woman of unflagging spirit, becomes a unique school of life for the boy.
A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life…
Tomasz, a doctor, and atheist, is diagnosed with cancer. His ex-wife offers him the money for treatment in Paris, but his lung cancer is past the operating stage. Facing imminent death, he questions the beliefs he has held all his life and starts experimenting with both his own life and those of others.