The World is Watching is a political documentary about the ethical dilemmas of news gathering in the electronic age. Focusing on international journalists in Nicaragua during the negotiations of the Arias Peace Plan in November 1987, the film follows an ABC News crew in the field and their interaction with editors in New York, offering a rare look at how news is reported, shaped, and broadcast.
Category: Documentary
Collection of images of human and environmental disaster from former Yugoslav con-materials and images, testimony that restores existing vital values that could not be there. Created from private films shot between the 1920s and 1940s.
Documentary about The Hamptons, an area in the eastern part of Long Island (New York), famous for being a vacation spot for the wealthiest Americans: a place where wealthy families can spend the summer and weekends by the beach.
A look at the filming of the 1953 political drama “Salt of the Earth,” made by artists blacklisted by Hollywood during the McCarthy era. That film’s producer, Paul Jarrico, speaks about his late colleagues, Herbert Biberman and Michael Wilson, and about the Communist scare that gripped the film community in the 1950s.
A documentary about the U.S. judicial system, explaining the types of cases tried in the lower court, showing the typical minor offenders and examining the inadequate jailing facilities.
A few months before the passing of his friend and close collaborator dramaturge Saadallah Wannous, Omar Amiralay listens to his friend’s somber and relentless words, a farewell to a generation for whom the Arab-Israeli conflict has been the source of all disillusion.
James Ivory’s second documentary, The Sword and The Flute, also dealing with schools of art, grew out of his experience in making Venice: Theme and Variations. Only here, instead of photographing works by the Italian masters, he has used superb examples of Indian miniature paintings. Ivory’s intelligent script, narrated with feeling by Saeed Jaffrey, and accompanied by the music of Ravi Shankar and Ali Akbar Khan, traces the history of Indian miniature painting after the Moghul invasion as it develops into two principal schools, the Moghul (Muslim) and the Rajput (Hindu).