A group of sex-crazy guys pose as porno filmmakers just to audition groups of lovelies in various states of undress. Eventually, they’re pressured into coming up with an actual movie.
Category: Comedy
The story is set between the two World wars. The Topalovic family consists of five generations of males, with the youngest one aged 25 and the oldest aged 150. Conflicts break out in the family because the youngest member refuses to carry on the morticians’ trade, which for decades, from generation to generation has been his family’s occupation. The manufacturing of coffins is more and more lucrative, new technologies are introduced, burials are faster and easier, the era of crematoriums is here. But the youngest member of the family, Mirko, is not interested.
Guy, film critic for magazine Cahiers du Cinéma and terminal cinephile, plans to write about the Vittorio Cottafavi retrospective at the Alcazar, his local cinema. One day he notices that Jeanne, film critic of Postif, the rival magazine, seems to be following him. He is intrigued– is she interested in him, or planning to poach his praise for Cottafavi in her own article?
Alex Andero feels stuck washing dishes in his family’s trattoria in New York City. He wants to write screenplays, and he has a great idea. Trouble is, he’s not much with a typewriter; so, when his cousin calls and says a producer likes the idea and wants a script, Alex swallows his homophobia and asks for help from Elliot Springer, a talented writer who’s an insecure, gay, Jewish nebbish. Elliot doesn’t want the job, but Alex sets him up with Joey, a good-looking actor who works in the cafe. Elliot and Joey are soon getting it on, the script is slowly emerging, and Alex is discovering the beauty of Gwen, a woman in his writing class. Then, ego and greed threaten the partnership.
A committee is selected to investigate the first day of broadcasting of a television channel that, for the first time in the United States, broadcasts its programming without any type of censorship. Through advertisements, self-produced programs and other content, we will immerse ourselves in the television of the future, although it will not be to everyone’s taste.
This fictional biography of Sigmund Freud features the pioneering Austrian psychoanalyst’s days as a young man. Squeamish at the sight of blood, Freud opts out of medical school, and eventually develops his theories of psychoanalysis, even finding an “ultimate patient” to test his innovative ideas on. Later, Freud develops a relationship with nurse Martha Bernays, who is not shy about her feelings for the renowned thinker.
Fernando, the protagonist, finishes his military service in the cavalry and decides to buy the horse that has been his companion during this time. However, living with the horse becomes a grave problem, as the city that Fernando knew is not the same. He struggles to find accommodation for the animal, and he faces resistance from both his social circle as well as the new, modern world.