Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American hands, and… finally, he returns to his village, and meets Oksana.
Category: Arthouse
In Paul Verhoeven’s sexual psychodrama Turkish Delight — an adaptation of Jan Wolkers’ best-selling erotic novel — Rutger Hauer is Eric, an Amsterdam artist whose paintings and sculptures are all perverse. He spends his days wandering around the city and picking up young female lovers — whom he beds and then tosses aside mercilessly — and keeps an extensive scrapbook of mementos from his bedmates. Eric is deeply haunted, however, by a dysfunctional past relationship. He only fell in love on one occasion: with Olga, a mentally unstable woman dying of a brain tumor.
The young Vinicius is a young saxophone player, from Rio’s poor suburbs, facing an uncertain but perhaps promising future. One day his girlfriend suddenly disappears after a night of love under the stars. Day and night, often on the ‘Trem’ (Rio’s subway lines), others with the help of a Detective and his sources, Vinicius discovers the city’s underbelly: its low-lives, its victims, its most eccentric characters, and milieus.
Zaizen Goro may only be an assistant professor but he has already made a name for himself. His superior, however, does not approve of his attitude towards their profession, and is at odds over who to nominate as his successor. The selection of the new professor reveals a rich and complex political world inside Naniwa University.
A woman who has spent years in concentration camps goes back to her native town (in her imagination) and tries to find members of her dead mother’s family.
The third installment of Oliveira’s Tetralogy is a brilliant and devastating portrait of young lovers tragically separated by a bitter feud between their aristocratic families. In Doomed Love Oliveira tested his belief in a creative merging of theatrical, literary and cinematic narrative traditions. His radical approach to adaptation captures the multilayered language of Camilo Castelo Branco’s eponymous epic novel to offer a virtual phenomenology of life and love in 18th century Portugal. After a disastrous premiere on Portuguese television, the theatrical release of Oliveira’s re-edited version was quickly hailed as a landmark in the history of the European art film.
This is the story of a young man at the dawn of the 21st century. He belongs to the most vulnerable, most futile and most appealing segment of society. Raoul flits from woman to woman, searching for seemingly unattainable love, until he meets Jeanne, who is fated to live freely and tragically.
In Switzerland, German singer Willie falls in love with Jewish composer, Robert, who offers resistance to the Nazis by helping refugees. But his family thinks Willie is a Nazi and may be a risk for them. One day Willie helps Robert but, has to stay in Germany. As Willie starts to sing the song ‘Lili Marleen’ she becomes very famous and every soldier hears that song via radio – even Hitler wants to meet her, but she still does not forget Robert, and helps to smuggle photos of concentration camps to the free Switzerland. Robert wants to visit her, but is captured. Will never see Willie again until war is over.