Nahapet (meaning patriarch in Armenian) has lost his family, his house and all his properties during the Armenian Genocide in 1915. Self-absorbed and reticent, he’s like a withered tree. The village on the slope of Mount Aragats, where he finds shelter, consists only of half-destroyed houses and sun-scorched earth. Could Nahapet find the inner strength to build a new house, start a new family and revive the things cast away by his destiny? This eternal story of resurrection is symbolic for the Armenian nation’s history.
Category: Arthouse
A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place to live, with food and work. But the drought and misery destroy their hopes.
Michiyo moved to Osaka two years ago, when her husband Hatsunosuke who works at a stock brokerage was transfered from Tokyo. She wash, cook and clean 365 days a year. All the dreams and hopes she had when they got married five years ago seems to be gone. From here on we follow the everyday life of Mr. and Mrs. Okamoto.
Julio, aged nineteen, has just left the provinces to settle down in the outskirts of Lisbon. He lives there in a poor area with his uncle Afonso and starts working as an apprentice shoemaker. At the shop, he gets to know Ilda, a young housemaid and regular customer. Ilda is pretty, joyful and modern and Julio falls for her. The two young people, although very different from each other, embark on an idyll…
In his debut feature film, Kumar Sahahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
A more horrific and gloomy version of The Beauty and the Beast. Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.
The story takes place in the old streets of Porto and by the banks of the Douro River. A gang of very young kids has just accepted a new member, Carlitos, a shy boy who has “played it tough” by stealing a doll in a shop. Carlitos soon has a crush on Terezinha, the only girl in the group. The trouble is that Eduardo, the gang boss, is also in love with the pretty girl. And he will not allow any rival to challenge him.
This downbeat three-part drama tells a trio of stories that focus on different aspects of America’s reaction to the war in the Persian Gulf. Fernanda Hussein is a Hispanic woman whose husband abandoned her and their children and returned to Egypt, where he was born. In the second chapter, Carlos is a soldier who returns home as a hero after serving in the Middle East. But after spending months cleaning up the bloody damage American air strikes inflicted upon the people of Kuwait, Carlos has a hard time feeling heroic about the aftermath of the war. And finally, tensions mount among the members of a wealthy New Mexico family, as teenage Raphael speaks out against the war, to the great consternation of his parents and siblings.