Luc Moullet contemplates the twilight of his career—and his own mortality—in this comic pseudo-documentary, a characteristically charming, satirical, and yet intellectually serious inquiry into the struggle against “the end.” The film follows Moullet, playing a magnetic self-caricature, as he endeavors to rejuvenate his career and win over a whole new audience… by faking his own death, swapping his passport with that of a dead body he stumbles upon. An extremely free remake of Cecil B. DeMille’s The Whispering Chorus .
Category: Comedy
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother’s Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year’s Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
Two drifters, Jun and Katsuhiro, dream of escaping Japan for Africa but end up stranded in a bleak fishing town in Hokkaido. There, they drift between odd jobs, drinking, and fleeting connections, including with a disillusioned woman, Fujiko. Their dream of Africa becomes less a destination than a symbol of escape from stagnation, as the film reflects on friendship, longing, and the quiet despair of lives lived on the margins.
A teenage rock musician masturbates gleefully and often. Way too often. One night, flying sperm escape and impregnate local women. The babies grow into an army of little creatures with the teen’s head — and libido.
Judith Singer is a housewife, out of the journalism business for many years. When a dentist she has been seeing (who has a strong bedside manner even while female patients are still in the chair) is found murdered, she finds that a neighbor is a suspect. She begins to investigate. This places her in danger from the murderer, from the women who have had affairs with the dentist, and from the police who begin to wonder why she is always at the scenes where clues are discovered. Her husband becomes angry at what is happening, placing strains on her family as she finds herself more and more attracted to the police detective investigating the murder.
When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.
Tengiz Abuladze’s black comic allegory – the first instance of a Soviet filmmaker directly confronting the legacy of Stalin’s purges – caused a sensation when it first aired on Georgian television. Unfolding over two timelines, the film combines absurdist parable with wrenching drama. When the corpse of the recently deceased mayor of a small town is repeatedly disinterred, its citizens must face up to the horrors of their buried past. Abuladze’s poetic film is a powerful act of cinematic testimony, combining religious symbolism with knowing references to the various ghosts of 20th-century totalitarianism.
Franklin Cane is a red-hot professional tennis player who climbs the ladder of success with his trainer, Jonathan, at his side. Jonathan was once considered the greatest American tennis player and intends to guide Franklin to the high-road. Franklin does not transcend the interest he has in local Hollywood-type parties littered with has-beens, wannabes and think-they-ares. It is there that he meets Cynthia, a pretty photographer who makes a living photographing people like French filmmaker Jean Renoir and taking production photos of commercials.