A middle-aged disabled man unknowingly begins a lonely hearts correspondence with his own unmarried sister, who takes care of him. As he writes more and more to her, he begins to fall in love, and she, knowing that it is her brother who is writing, discovers a new, tender side to him. But trouble looms when he asks to meet her in person.
Madame Rosa lives in a sixth-floor walkup in the Pigalle; she’s a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He’s a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp.
Somewhere between Woody Allen and Freud, between documentary and fiction, Histoires d’Amerique conjures up the destinies of several generations of Jewish immigrants in New York.
After the recently re-elected President of a fictitious state has been assassinated, one of the members of the investigation committee refuses to sign the final report and is given the task of investigating once more. In the course of his search he finds evidence that casts serious doubt on the committee’s “lone-gunman” theory… A very bold film that basically told the “JFK” story thinly disguised as having taken place not in the US.
For generations, the Torrignes family have lived in a splendid old house in the south of France. By the early 1930s, the family’s fortune has dried up and there is no other recourse than to sell the house. The present occupants are the widower and amateur photographer Walter Lherminier, his 16-year old daughter Juliette, and his elderly spinster sister Délie. For the last time, they invite the other members of the family to the house so that they can spend one last summer together.
In this war drama blurring the lines between documentary and fiction, the working class and the bourgeoisie of 19th century Paris are interviewed and covered on television, before and during a tragic workers’ class revolt.
Mourir à Madrid brings together several papers on the Spanish Civil War and integrates capturing different points of view, intended to represent the continuity of the suffering of the Spanish during the Franco regime. The death of Federico Garcia Lorca, Guernica, the defense of Madrid, the International Brigades, are some of the items comprised in this documentary.
The chauvinist Alexandre balances relationships with several women, including the maternal Marie and the sexually liberated Veronika, in the post-1968 intellectual scene of Paris.