A look at the 40-year career of acclaimed feminist artist Nancy Spero, who, in her own works, is concerned with “rewriting the imaging of women through historical time.” With Spero’s own voice as narration, this documentary tracks her development as she matured against the grain of Abstract Expressionism, Minimalism, and Pop Art when “there wasn’t room in the art world to make way for political or activist art.”
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Sándor Reisenbüchler’s animated film of the Ferenc Juhász poem is a magical mythological tale featuring numerous folklore symbols, in which due to the horrors of war and the evil of man the Sun and the Moon vanished from the sky. This visionary film singing of the universal struggle between fairy tale Good and Evil was considered by the director a sort of ars poetica. The film was shortlisted for an Academy Award for Best Animated Short Film in 1969.
An insight into the mystery and legends surrounding Aleister Crowley’s time living in Boleskine house on the banks of Loch Ness. Once Described as “The Wickedest Man in the World”, Crowley’s fascination with Magick is explored in this half-hour documentary originally broadcast on BBC Scotland.
Twelve-year-old Antoine falls profoundly in love with a voluptuous but suicidal hairdresser, a formative experience he never forgets. Much later in life, he seeks to repeat his romance by marrying Mathilde – also voluptuous and also a hairdresser – with whom he forms an intimate and consuming relationship in an attempt to blot out the miseries of this world from their lives.
Ahn is a suicidal saxophonist, Mun is a violent simpleton with an I.Q. of 80, and Maria is a single mother with dreams of becoming a nun. Ahn has tried numerous times to kill himself but nothing has ever worked. When he witnesses his wife’s infidelity, it is the last straw. He gets a call from Mun, and both decide to take things into their own hands by robbing a café at gunpoint. They run into Maria, who is determined to find her baby who has been taken from her. Maria decides to use the two men to get her baby back and joins the team.
A helter skelter of late 60’s counter-culture psychedelia played in two separate screens, images of student riots, drag queens getting ready for a night in town, fires, juxtaposed against swinging hippies, Japanese women casually arranging their wardrobe, people commuting to work, and various cartoon strips, all this played over a collage of news report snippets telling about the Communist threat, radio recordings, Rolling Stones, Japanese pop tunes, and Hitler speeches, while flickering images of fires and disfigured babies flash over the screen now and again. It’s all pretty anarchic and adds up to no concrete narrative but it all makes sense in a purely audiovisual way.
In this musical, producers begin searching for a real southern belle to star in a Broadway production. The two are forced to hear a woman’s audition and agree to let her have the lead. She is soon fired, but is pursued by the producer who has fallen in love with her. Songs include: “Find Yourself a Melody,” “I’ll Never Let a Day Go Past,” “Kiss the Boys Goodbye,” “That’s How I Got My Start,” and “Sand in My Shoes.”