Mel Tormé hosts this retrospective of the most prolific period of Frank Sinatra’s career from the beginning to mid-60s. Told through interviews with colleagues and entertainment experts along with clips from live performances, film and TV.
rarefilmm | The Cave of Forgotten Films Posts
Rodgers’ friends and colleagues pay tribute to him in this long-unseen television special produced by the Souvaine Corporation and broadcast on NBC. Among the original Broadway cast members reprising the songs they introduced are Vivienne Segal (“Bewitched” from “Pal Joey”) and Alfred Drake (“People Will Say We’re in Love” from “Oklahoma!”). Vera Zorina dances “Rodgers in Three Quarter Time,” a ballet created expressly for the show set to three Rodgers waltzes, and Mary Martin sings “Wonderful Guy” as Rodgers himself accompanies her on piano.
St. Petersburg, early 20th century. The handsome and secretive Johann specializes in shooting erotic pictures depicting the floggings of bare-bottomed women. With the help of his assistants, the photographic creations gradually penetrate the peaceful households of two upper-class Russian families.
An early example of computer generated animation; several hundred dots move about the screen according to a set of instructions in a graphics program which were input into a IBM digital computer and coloured by an optical printer.
Film director Alfred Hitchcock discusses his life and career in long talks with Pia Lindstrom (newscaster and daughter of Hitchcock star Ingrid Berman) and with film historian William Everson. Excerpts from several films illustrate these interviews. Discussion topics include: what is fear?, method acting vs. film acting, the difference between the usual “Who Done It” mystery and what he considers to be real suspense. His choice of leading ladies and why (Bergman, Baxter, Kelly, Marie Saint, Leigh, etc.).
On this episode of Camera Three, actress Claire Bloom reads poetry. Excerpts include selections from T.S. Eliot, Lord Byron, A.E. Housman, Sir Philip Sydney, William Carlos Williams, Ezra Pound, and medieval carols.
Strapped for time due to her busy schedule of personal appearances, Laurie Anderson creates a rather clumsy looking clone to take over and keep up her artistic production. Anderson plays both parts, pitting the chain-smoking, productive male half against the laid-back female half. In the end, one highly successful clone begets another clone, a situation spoofing the rise and fall of the ’80s art star.