On 31 January 1977, the Centre George Pompidou opened its doors to the public in Paris. Three months later, on 6 May, Roberto Rossellini wrapped up the editing of a 54-minute film that testified to the public’s response to the project. The great Neo-Realist filmmaker was proposed by Jacques Grandclaude, spreadhead of the Communauté de Cinéma, to the French Ministry of Foreign Affairs to celebrate the opening of the building designed by Renzo Piano and Richard Rogers.
In 1937 Shanghai, a soon-to-depart soldier meets a young woman under a bridge during a Japanese air raid. They vow to meet after the war ends, but they don’t each other’s name or face. Ten years later, the young woman, a nightclub singer, takes in a naive girl fresh from the country. The country girl falls in love with the would-be song-writer upstairs who, unbeknownst to the singer, is none other than the soldier from the bridge.
Miyashita, a former low-level yakuza member, has tracked down and kidnapped his daughter’s murderer with help of his friend Nijima. But others are soon implicated in the death, leading the pair further down a violent path of revenge.
In this combined live-action and cartoon feature, Maurizio works with his brother at a movie-dubbing studio they own. His specialty is cartoon sound effects, and he travels all over Milan to capture special sounds on his tape recorder. While out and about, he encounters a delightfully kinky “social assistant” who is a kind of platonic love object for men with specialized sexual fixations. Maurizio is attracted to her, but after spending some time with her, he is shocked to see his hands turn into gloved cartoon hands that are outside his control.
Film version of David Goodis’ novel has lawyer Juan Milford wanting to run away with exotic dancer Diana Lander. Unfortunately, he’s also a kept, married man by wealthy older woman Amanda Merlino de Milford who promises to provide evidence of his criminal past to the police if he ever leaves her.
Chuji Kunisada, a farmer turned gambler and outlaw, is a legendary romantic hero of the late Edo period. Ito’s version of his story made Denjiro Okochi one of the immortal jidai- geki stars. Diary of Chuji’s Travels is a masterpiece because of Ito’s brilliant handling of violence, his startling camerawork, and his total spiritual and emotional commitment to the passionate character and tragic predicament of his hero. Originally released in three feature-length parts, the film was believed lost until 1991, when a re-edition of scenes from the second and third part of the trilogy were discovered.
This story follows a cop in Shanghai during the 1930s. His department is overrun with corruption, while gangsters rule the city via the opium trade.
Impecunious samurai Iemon and his conniving servant Naosuke commit multiple murders to secure the affections of two sisters, Iwa and Sode. Iemon soon tires of Iwa, and given the opportunity to marry a wealthy man’s daughter, he removes the inconvenience of an existing wife by poisoning her and slashing to death the masseur he’d bribed to seduce her. The two bodies are nailed to opposite sides of a shutter and sunk in a pool. Both victims’ disfigured ghosts return to haunt the two murderers, leading them to further crimes and, ultimately, retribution.