Looking to escape a troubled marriage, a woman returns to her hometown, where she repairs a broken friendship with her cousin and finds true happiness.
Category: Drama
The residents of an old people’s home anxiously watch television weather forecasts that predict a hard winter. When a huge transport of coffins arrives in the same night, the old people start to suspect that someone is preparing a mass death for them. In solidarity, they decide to escape and… go out to the country. They are followed by a police chase, which at times resembles a manhunt. The film, made in 1981/82 but released a year later, unexpectedly became a metaphor for the Polish history of the time.
Reluctantly, a sulky adolescent returns to her parents’ house for yet another boring summer vacation, dabbling in desire and the art of desirability, eventually mixing reality with vision, caged fantasies with the fierce female sexuality.
Csaba has just come out of doing a stint in prison because he stabbed a man while drunk, and when he goes home he discovers that his wife is now living with someone else in their apartment. Csaba quickly divorces his wife but he still has to move in and share a kitchen and bathroom with her and her new mate, suffering because he still loves her. This untenable situation is complicated by visits from Csaba’s mother, and by various women he starts seeing, as well as by a busy-body neighbor. The three main roles of Csaba, his wife, and her lover are excellently interpreted in this satire on social morés and economic realities.
Kaoru, a wealthy woman whose youth is fading, abandons the hustle and bustle of the city to live a peaceful life in a house on the coast. There she takes care of an old deaf, dumb and blind man as if he were an insect, a child or a pet. He can’t do anything for himself, so she feeds him and accompanies him on his walks. This strong mutual dependency offers Kaoru an escape from society and allows her to free herself from restrictions imposed by common sense.
Virgil Bliss is a man obsessed with living a normal life, finding a good job, marrying a decent woman and building a family of his own. The only problem is that he is a recently paroled career thief. After his release from prison after nearly a decade he meets Manny Alvarez who takes naive Virgil under his wing and initiates him in the ways of the world. He introduces him to Ruby, a junkie prostitute, with whom Virgil immediately falls in love. Together they form a kind of damaged family, dogged by mistrust, chemical dependency and the weight of their wasted lives. Everything gets even shakier when the psychotic Manny reappears.
Maledetti vi amerò is a bleak but also bitingly-humorous look at what happened to Italy during the absence of one young rebel. Svitol has been hiding out in South America. Then one day he gives up on his life in exile and decides to head back home. Everything has changed. The radical left is now in business or shooting up drugs, and Svitol finds he has no “home” left. Terrorists seem to set the stage for near anarchy and nothing is as he had imagined.
A film on the poet, writer and film-maker Pier Paolo Pasolini focusing on his brutal murder and on the judicial proceedings that followed. The case is reconstructed via the trial of Pino Pelosi, the street kid who was found guilty of the murder. The trial becomes a metaphor of the Italian society in the 1970s.