Man’s inner-self lives in a state of perpetual fear as a defense mechanism against the scary things in life. However, fear is subjective and that defense mechanism may be obscuring that which should not be feared. Thus, a scientist develops a pair of spectacles that changes the wearer’s perspective and allows them to overcome their worst fears.
Category: Animation
Two cosmonauts arrive on a barren world and begin a clean-up operation. In the course of their duties, they revive the planet’s civilisation and discover the real reason for its devastation- thermonuclear war. Produced after the peak of tensions in the late Cold War, this animated short from Armenfilm reflects a muted optimism that humanity might- just- avoid total destruction. It also demonstrates the strength of animation under the Soviet system, where even the smaller state studios were capable of inventive but technically polished work.
In a subway station, a man watch a girl acting strange. He realizes that she may be attempting to commit suicide and tries to stop her, but the girl accuses him of being a molester.
Dramatic short animation based on the song of the same name (“For You Armenia”/”Kez Hayastan”) composed by George Garvarents and performed by Charles Aznavour. The song is dedicated to the memory of the devastating earthquake that struck the Armenian region of the Soviet Union in 1988.
Directed by Cannes-award winner Sándor Reisenbüchler, Holdmese is a psychedelic animated short that mixes pulp sci-fi, Tibetan mysticism and Slavic folklore. Two scientists propose that the moon is an ancient, derelict spaceship, and go on a journey through deep space to discover its origins. The influence of Stanley Kubrick’s 2001 is clear, but Reisenbüchler’s collage technique is distinctively- and irreverently- his own. Holdmese stands as a brilliant forgotten work of Communist animation.
An almost psychedelically luminous invocation of the Battle of Borodino set to Tchaikovsky’s 1812 Overture (1880). As Reisenbüchler put it: the film deals with “self-destruction in the power struggle for the conquest of empires”.
If you can read a face like a book, then here it is a book of poetry. Loose brushstrokes sketch a series of portraits of two faces, one male and one female, whilst the verse on the soundtrack tells the tale of both one and a thousand relationships. Alison de Vere was responsible for both the text and images, and the film was released in the same year she worked as a designer on the animated Beatles feature, Yellow Submarine.
With fast changing visuals and moods, an artist presents his family’s twentieth-century story. Although Stalin’s sour image is in the background, a boy’s childhood is a dreamlike world of colors and a butterfly. War interrupts youth and romance. Hitler, concentration camps, and conflagration finally give way to a mother and child (father is missing in the war), birds, beauty and more butterflies. The child grows. Pop culture arrives from America, but the grim shadow of Stalinism remains. The artist leaves to study in the West. Art, animation, sex, and love nourish him. He earns a diploma!